There's been no voting this time around, mainly because there's one particular mass market/pop-culture object that we really want to address. Namely, Disney's Marvel Heroes Shirts for Teen Girls.
Yes, it says "I NEED A HERO"
Sexist in it's own right, and sexist when compared to the Teen Boys shirt (which says "Be A Hero").
Really, this shirt is sexist in so many ways.
- There's the erasure of the female Avengers (Black Widow, the Wasp) and other female Super Heroes (like half of the X-Men, which is why they were my favorite superhero teams as a child).
- Then there's the absolute horrible messaging. Boys can be heroes, but girls can't. We just have to sit around waiting to be saved. Which just plays into all the standard patriarchy gender roles especially as they apply to stories/literature; girls are trophies for active males, they aren't active in their own right.
And women and girls are just supposed to pay money for these messages?
Now we're hardly the first to call out this t-shirt, and Disney has already pulled it (which how it got created in the first place still boggles my mind).
Of course they still have this other sexist shirt...
One thing trolls/MRAs/"humanists" love doing when they come into feminist spaces is share videos from girlwriteswhat and all her awesome proof that its much harder being a man, patriarchy doesn't exist, and feminists are stupid and man haters. I'm guessing their propensity to share her videos verses other attempts to discredit feminism is partially because she's a woman and partially because if you're not educated on the topics she discusses then her points can seem persuasive.
Now I'm going to respond to some of her claims, but the focus is responding to people who use girlwriteswhat as proof that feminism is unnecessary. This post is not directed at girlwriteswhat herself.
General response when people post her videos:
The points made by girlwriteswhat can seem persuasive, however a majority of them are based on inaccurate or misrepresented history/law/practice/science. A lot of them rely on popular tropes that upon further investigation from reliable/academic sources proves untrue. In the rare cases what all of girlwriteswhat information is correct she's still faulty in her focus on feminism. The causes of the issues she correctly names is the Patriarchy/Kyriarchy, which feminism fights against.
The two most popular videos that people share (in my experience) are the ones on "Feminism and the Disposable Male"and the almost two parter about rights of the child, paternal rights, men's responsibility in preventing pregnancy and financial abortions. The myths within the "Disposable Male" "Women and Children First" as a successful policy of life saving pretty much began and ended with the Titanic. Other British ships did claim this policy, but when it came to maritime disasters it was almost never followed.Generally men are much more likely to survive a disaster, this is even more true for the captain and crew ("going down with the ship" was basically another Titanic exception).
Also unlike her claims, current standards of saving people on ships/from fires makes no distinction between men and women. People might need and receive special assistance because they're children/have disabilities/carrying multiple children. Basically you take care of people who need the most care/assistance first which is generally not an able bodied adult of either gender.
As for the continuing of the species, child creation is easier for a man. Men *can* father children on a variety of women. The costs of pregnancy (time and the 1 in 3 death rates) are much harsher on women. But when it comes down to it genetic distribution necessitates almost as many reproductively viable men as women.
Inaccurate representation of causes
Work place death - Men are more likely to die at work, because they're more likely to take dangerous jobs like mining/oil rigging. The reason is women are still often excluded from these jobs. When it comes to dangerous factory jobs and the fire in them women are as likely, if not more likely to die (because they've been locked into the factories). Work place safety is a definite issue, but it's caused by classism/Patriarchy/Kyriarchy, not feminism. And plenty of feminists do work to fight classism and engage in labor movements.
As for war, women have been soldiers (at lesser numbers then men) for millennia. Also the main attitude of women at battlefields was not about them being locked up and protected, but rather tortured/murdered/raped. Many feminists fight to gain women more fair access as soldiers. Many feminists are also anti-war activists. Some of us even do both.
By: Liberate Zealot
Content Warning: Mentions of rape and child abuse.
So I've been working part-time for a prominent reproductive and sexual health and rights group for a little over a month (which is one reason I've been posting a bit less). And, as I'm sure many of our readers know, on Friday there was a massive explosion in the US on these issues.
I refer, of course, to the federal ruling that Plan B become available over the counter to people without age limitations.
Which I think is awesome news! Yay for increased reproductive rights! Yay for better protections against unintended and unwanted pregnancies! Yay for increased youth rights! Yay for science and logic and medicine!
Of course this being the US this awesome news quickly became big and controversial. And thus I spent much of Friday researching the issue (specifically the anti side) to prep one of our board members (and a doctor practicing at one of the premier hospitals in the country) for the several interviews she gave with local news stations. And Saturday I received a media briefing where 60 major state and national media outlets wrote about the ruling (and had to read the majority of them).
So now I want to sit down and write about my thoughts on this ruling, specifically to counter all the myths about Plan B and the negative response to this ruling. (Because after this being my life for two days I have so many thoughts).
Yes, that's right: a feminist horror movie. Gillian's Just Right is an Edmonton-based film project currently working its way through Cineplex's new Cinecoup Film Accelerator. The movie's heroine, Gillian, sets out to solve a series of 'grizzly' murders, and rather than prancing around in her nightie wringing her hands waiting for the dashing man-saviour to show up, Gillian will use herself as bait to catch the killer.
Through the glorious power of the internet, I got to catch up to the mutli-talented, AMPIA nominated Actor, Writer & Director Lindsey McNeill to chat about the movie and the team making it happen.
1) Gilliansjustright.com has a pretty great summary of what the movie's about and a snazzy trailer... anything else you'd like to tell us about what we can expect?
I've been working on the narrative with a story editor, and we are really starting to develop more of the fairytale elements. We really want to draw on a rich mythology that is already embedded in our culture. We see these archetypes and morality tales in our bedtime stories, Disney movies and PSAs. These elements make our characters instantly recognizable and relatable, be it Hansel & Gretel, Rapunzel, the Hunter etc.
2) Tell us a bit
about who's involved with the project.
Well, we actually have a pretty large team of
local filmmakers and actors involved. I thought I would have to call in a
number of favours, but people are really excited about helping out. The people
who have been pulling the all-nighters for this project are:
Dave Baron - Our brilliant director of
photographer.
3) What was the
inspiration for this project? Can you tell us a bit about how it's been coming
together so far?
This is a passion project for me. It is a
horror fairytale about rape culture and violence against women. It is pretty
dark, but life can be dark.
We have been receiving amazing support from
our local film community.
We've already made it to the top 60, and usually
trend highly in the 'Popular" section of the Cinecoup website.
I think
we're poised to do pretty well, but we are up against stiff competition. This
is a talented country in terms of film-making.
4) Speaking of rape culture, I kinda want to
smack that priest in the opening part of the trailer. What's up with that guy?
Right!? In GJR, we really want to explore what
we understand as 'typical' stereotypes, and turn them on their heads. The dead
girls, the sexist priest, the male protectors, the stranger danger, it is all
there.
And we definitely lucked out with Kirk, who
plays the priest.
5) The horror
genre's not exactly known for its female-friendly film offerings. Why do a
horror movie?
Why not horror? There is something that
certainly pulls me into the dark.
As a woman, I have a story to tell and it's
not about lollipops and rainbows. More and more women are consuming horror and
looking to the genre for satisfaction, yet most production companies won't even
look at a screenplay with a female lead.
I've been told that if I want my
scripts to be successful, I should change Jennifer to Jack. But women are often
the protagonist in horror. Even in films where they writhe on the floor in a
wet t-shirt, they are often the last person standing against an unspeakable
oppressor. So, unlike any other genre, horror has great potential for feminist
narrative. Horror can remind us of the violence towards women and our inherent
power of survival. Even in death, we witness the valiant struggle. Women will
not go quietly into the long dark night.
6) Gillian:
feminist heroine? Discuss.
Yes, she is. But she is complicated, like we
all are. Gillian is an incredibly rational character, she doesn't believe that
there are 'innate qualities' that attract the murderer to the female victims
(her friends). She is methodical in her analysis of the situation, and in
using herself as bait. Having said that, she doesn't fall into the classic
emotional/rational binary either. That would be too facile, and frankly too
lazy on my part. She is angry about her friends getting killed, but not
overcome by her anger or fear.
7) So this Cinecoupfilm accelerator business looks interesting. Tell us a bit about what it takes
to get a film off the ground with Cinecoup.
They probably couldn't have made it more
complicated for the average person to dive into, but that is exactly what we need
people to do! Basically, the public has a chance to watch, rate and vote on
indie film projects across the country. Every two weeks we go through a round
of voting. At the end of May, the winner of the project will receive up to $1 million in funding for their film, and guaranteed release in Cineplex Odeon.
[If you're finding the process a bit tricky to navigate, there's a handy-dandy video guide you can check out.]
8) If our fair
readers are as excited by the prospect of this project as I am, is there
anything they can do to support getting Gillian's Just Right to
a silver screen near you?
If you are excited about the film, then you
have LOTS of ways to support us. I'd say there are three top ways:
Sign up with your facebook account at cinecoup.com.
This will give you the chance to particpate in 'fan missions' and actually
INCREASE your voting power [you can find the fan missions right under the trailer at gilliansjustright.com].
Sign
up for the Gillian's Just Right Superfan Club. This is our way to keep you in
the loop, ask questions about what direction fans want us to go and give you sneak
peaks.